It's been a whirlwind week of performances. Wed saw me at a dress rehearsal of the COC's Ariadne Auf Naxos. If you think German opera isn't funny, this will change your mind. It’s an hysterical collision between comedy and tragedy. Adrianne Pieczonka stars as Ariadne, though she opted out of the second half of the rehearsal (to save her voice for the opening, I presume.) No great loss, because her understudy, whose name I missed, was a marvel. Jane Archibald is utterly charming as the upstaging tart Zerbinetta. The performance is uniformly praiseworthy.
Thu saw me at the Enwave for a performance by a unique dance duo, the tiny Yvonne Ng and the much larger Robert Glumbeck, who together make up Tiger Princess Dance Productions. It would be inadvisable to focus on their physical disparities, however, because the dance is even more unique, often hauntingly beautiful, and with a perfect blending of east and west.
Fri brought me back to the Tarragon Theatre (where I once endured an unpleasant season as part of the Young Playwrights' Unit) for the English premiere of Forests, by Wajdi Mouawad. Mouawad is the writer of the critically acclaimed play, Scorched, now a brilliant, Oscar-nominated film Incendies from Quebec director Denis Villeneuve.
May 1
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